In the above paper, He et al. propose a primary-ambient extraction method using ambient phase estimation with a sparsity constraint (APES). The primary-ambient extraction problem is formulated as a L1 -norm minimization of the primary component with respect to the phase of the ambient component, based on a stereo signal model they have assumed. Discrete searching (DS) is proposed as the approach for solving the APES in each time-frequency bin, which is computationally complicated and potentially imprecise. This correspondence provides an analytical solution to the APES by exploring the geometric relation between the primary and ambient components in a rotated coordinate
Current methods for immersive playback of spatial sound content aim at flexibility in terms of encod...
The selection of maskers and playback gain levels in a soundscape augmentation system is crucial to ...
Due to the recent advances in virtual and augmented reality, ambisonics has emerged as the de facto...
Spatial audio reproduction addresses the growing commercial need to recreate an immersive listening...
Primary-ambient extraction (PAE) plays an increasingly important role in spatial audio reproduction ...
A stereo recording can be considered to consist of primary and ambient components in both left and r...
The diversity of today’s playback systems requires a flexible, efficient, and immersive reproduction...
Spatial audio reproduction is essential to create a natural listening experience for digital media. ...
One of the key issues in spatial audio analysis and reproduction is to decompose a signal into prima...
This book first introduces the background of spatial audio reproduction, with different types of aud...
Publisher Copyright: © 2022 European Signal Processing Conference, EUSIPCO. All rights reserved.Spat...
Phase retrieval is a problem encountered not only in speech and audio processing, but in many other ...
The "Sompi " method of Hori et al. [1989] (henceforth H89) is an autoregressive (AR) metho...
Increasing consumer availability of first-order ambisonics (FOA) microphones have enabled virtual ev...
Creating a realistic distance perception by means of spatial audio reproduction systems is not an ea...
Current methods for immersive playback of spatial sound content aim at flexibility in terms of encod...
The selection of maskers and playback gain levels in a soundscape augmentation system is crucial to ...
Due to the recent advances in virtual and augmented reality, ambisonics has emerged as the de facto...
Spatial audio reproduction addresses the growing commercial need to recreate an immersive listening...
Primary-ambient extraction (PAE) plays an increasingly important role in spatial audio reproduction ...
A stereo recording can be considered to consist of primary and ambient components in both left and r...
The diversity of today’s playback systems requires a flexible, efficient, and immersive reproduction...
Spatial audio reproduction is essential to create a natural listening experience for digital media. ...
One of the key issues in spatial audio analysis and reproduction is to decompose a signal into prima...
This book first introduces the background of spatial audio reproduction, with different types of aud...
Publisher Copyright: © 2022 European Signal Processing Conference, EUSIPCO. All rights reserved.Spat...
Phase retrieval is a problem encountered not only in speech and audio processing, but in many other ...
The "Sompi " method of Hori et al. [1989] (henceforth H89) is an autoregressive (AR) metho...
Increasing consumer availability of first-order ambisonics (FOA) microphones have enabled virtual ev...
Creating a realistic distance perception by means of spatial audio reproduction systems is not an ea...
Current methods for immersive playback of spatial sound content aim at flexibility in terms of encod...
The selection of maskers and playback gain levels in a soundscape augmentation system is crucial to ...
Due to the recent advances in virtual and augmented reality, ambisonics has emerged as the de facto...